Newswise, January 6, 2016 — In the United States, older men of
European descent (so-called white men) have significantly higher suicide rates
than any other demographic group.
For example, their suicide rates are
significantly higher than those of older men of African, Latino or Indigenous
descent, as well as relative to older women across ethnicities.
Behind these facts there is a cultural story, not just
individual journeys of psychological pain and despair. Colorado State
University’s Silvia Sara Canetto has spent a large portion of her research
career seeking to uncover cultural stories of suicide.
A professor in the College of Natural Sciences’ Department of
Psychology, Canetto adds a new chapter to that story in an article recently
published in the journal Men and Masculinities. Among her findings are that
older white men have higher suicide rates, yet fewer burdens associated with
aging.
For example, they are less likely to experience widowhood and have
better physical health and fewer disabilities than older women. They have more
economic resources than ethnic minority older men, and than older women across
ethnicities.
White older men, however, may be less psychologically equipped
to deal with the normal challenges of aging, likely because of their privilege
up until late adulthood, Canetto asserts.
An important factor in white men’s psychological brittleness
and vulnerability to suicide once they reach late life, Canetto says, may be
dominant scripts of masculinity, aging and suicide.
Particularly pernicious for this group may be the belief that
suicide is a masculine response to “the indignities of aging.” This is a script
that implicitly justifies, and even glorifies, suicide among men.
As illustrations, in her article Canetto examines two famous
cases. Eastman Kodak founder George Eastman died of suicide in 1932, at age 77.
His biographer said Eastman was “unprepared and unwilling to
face the indignities of old age.” Writer Hunter S. Thompson, who killed himself
in 2005 at age 67, was described by friends as having triumphed over “the
indignities of aging.”
Both suicides were explained in the press through scripts of
conventional “white” masculinity, Canetto asserts. “The dominant story was that
their suicide was a rational, courageous, powerful choice.”
Canetto’s research challenges the notion that high suicide
rates are inevitable among white older men.
As additional evidence that suicide in this population is
culturally determined, and thus preventable, Canetto points out that older men
are not the most suicide-prone group everywhere in the world.
For example, in China, women of reproductive age are the
demographic group with the highest suicide mortality.
Among the implications of Canetto’s research is that attention
to cultural scripts of suicide offers new ways of understanding and preventing
suicide.
As cultural stories, the “indignities of aging” suicide script
as well as the belief that suicide is a white man’s powerful response to aging
can and should be challenged, and changed, she says.
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